It loses its momentum once things get wacky.
All in Drama
It loses its momentum once things get wacky.
Wilson is working brilliantly with both psychological and supernatural horror.
Rosenberg struggles to keep the stories distinct.
Landy gets pretty heavy with the narration.
At its heart, Bennett’s story makes for a really fascinating read.
Genolet and Quinones have a wit about their art.
Waid clearly differentiates between the personalities and ideals of Clark and Bruce.
Moore’s style approaches Hell in a very straightforward way.
Howard finally found a dynamic that works with Selina.
It feels like they’re doing something quite new with Diana.
A huge range of different stories.
Lupacchino has a firm handle on the crushing drama of powerful characters.
Robinson’s story is not without its charm.
There’s a deep respect for the common house cat that seems to resonate off the page.
Wells brings a fugitive Spider-Man story into very sharp focus.
Very familiar characters don’t come across as being particularly interesting.
It really just looks like they took a staggeringly high-resolution scan of 44-year-old toilet paper.
There is some intrigue involving political ambitions.
The drama driving the story IS interesting.
Culver is covering some very familiar ground.