Sniegoski weaves the story quite well.
Sniegoski weaves the story quite well.
Shalvey and McConville set up a very simple premise that is very easy to follow.
Campbellβs writing paints big emotions in broad strokes.
Young isn't just spoofing Mary Shelley's classic novel. There's a lot more going on here than that.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Jonesβ approach to the childishness is to simply have fun with it.
Given the right narrative momentum The Darkness could really turn into something interesting.
Campβs absurdist/surrealist horror story is insanely clever.
Phillips manages a very tight ensemble of characters.
Itβs not a comic book so much as it is a really, really illustrated horror story.
Goette delivers the action with a sharp sense of perspective and balance.
Thomasi lays-out the action with a nice sense of balance.
Spurrier is definitely moving into allegorical ground at the end of the series.
The issue gets a lot of mileage out of the image of a cold, emotionless T-800 terminator unit in a Santa suit.
Johns manages some are very deft work in delivering a two-part issue.
Palmiotti Pace is the issue almost perfectly..
Williamson continues the action in a direction that feels progressive.
Groom delivers a story that works on multiple different levels.
Monclare cleverly uses the amount of space allotted for a single issue.
Robinson does a good job of making the dog in question look both very canine and very cybernetic.