The constant peril is another clever stylistic Thompson addition to Diana’s narrative rendering.
The constant peril is another clever stylistic Thompson addition to Diana’s narrative rendering.
A clever fusion of horror, superhero, comedy and drama.
Simmonds once again channels some very interesting energy.
Hama renders a tight, little one-shot military story.
Waid has a lot of moving parts at play.
Cuartero-Briggs maintains the tension with a solidly respectable rhythm.
Phillips and Muzzo make a strong case for clean, simple action storytelling with a powerful lead in Shanna.
Williams juggles quite a lot around the edges.
It's interesting to see how Bunn delivers the ending.
Priest allows the narrative to settle into a really nice rhythm.
Campbell’s visuals are fabulous.
Sampere gives Diana that kind of stature that befits a legend.
In space no one can hear you say, “I’ll be back.”
This issue opens with a comparison of various heroes and how many people they could kill per hour.
Frampton seems eager to share Baum’s world with the reader.
Laura, Elektra and Erica are a lot of fun together.
Sniegoski takes a LOT of time setting-up the introduction.
Palmiotti find a way to bring it all to the page
Williamson paces the issue pretty well.
Vecchio’s off-center framing of the action seems to be diving straight into Maddie.