Walsh’s rendering of classic scenes from the movie hits the page much better than it hit the screen in the old movie.
Walsh’s rendering of classic scenes from the movie hits the page much better than it hit the screen in the old movie.
Remember and Warren have a very solid piece of dram.
It’s not brilliant or anything like that.
Grønbekk shuffles around a lot of really fun and enjoyable sword and sorcery fantasy elements.
Bengal’s sharp sense of atmosphere gives the entire issue quite a bit of gravity.
Johns and company deliver a really impressive second issue.
Tomasi delivers a clever turn on the traditional coming of age story.
Remender and Posehn ride a very careful line between over-the-top drama and earthbound family stuff.
It’s dark and sinister stuff.
McManus’ execution of the art in that second story is pretty impressive.
Thompson has a knack for catching a series of scenes and putting them together.
Arcudi has been fusing several different things together with this particular narrative.
That’s remarkably sharp prose.
Tynion twists a fiction around one of the most legendary deaths of the 20th century.
Hama brings a very real sense of tactical combat to the book.
Ganucheau has a lot of fun with the beloved characters.
Carlos has a solid sense of execution with respect to light and shadow.
The full reveal of Loughridge’s premise IS kind of a disappointment.
Gillen explores a fascinating and provocative angle on the god-as-artist concept.
It’s nice to see the reptilian getting a bit of the spotlight as the series continues.