Wilson’s script fits perfectly with Melnikov’s art.
All in Marvel Comics
Wilson’s script fits perfectly with Melnikov’s art.
Chu closes-up everything at the end in a way that feels cold and final.
Phillips is a solidly respectable writer. She's been doing a really good job.
The whole thing feels more than a little bit strange.
Gronbekk has a solid sense of execution.
Scott throws a hell of a lot at the page.
Rosenberg delivers a color palette that is somber and moody.
Belviso is brilliant.
The tremendous resilience of Maka is powerfully present in slight shades of phrase in her inner monologue.
Chu plays a bit with expectations in interesting directions.
Simone rather tightly frames a few father-and-son-style relationships.
Mercado shows a great degree of strength.
Ziglar’s work feels pretty tightly-drawn from the traditional Spider-Man mold.
Allen makes a casual run through a villains layer seem a lot more interesting than it has any right to be.
Allen works her way through a very interesting couple of encounters.
Combines wit with faced-paced action..
Chu plays Emma’s story as an elegant fusion.
Wilson deftly nails some of the more lofty philosophical ends of the Black Cat.
Grønbekk is really getting into an interesting depth.
Phillips keeps the central action of the issue away from Gwen.