Bennett is juggling many different elements of Sara's life.
All in Crime
Bennett is juggling many different elements of Sara's life.
Lieberman comes dangerously close to completely fragmenting the plot.
Cho really focusses the narrative tightly on the life, mental and emotional state of Dani.
Segura and Barajas weave the two narratives together quite well.
Miyazawa manages a striking array of different subtleties.
Brisson is doing some rather clever things.
Loveridge has a lot going on.
Sorressa and Atlansky manage a remarkably tight rendering of the script.
Barel and McFarlane manage to keep the drama running.
Bengal’s sharp sense of atmosphere gives the entire issue quite a bit of gravity.
That’s remarkably sharp prose.
There’s an encrypted otherworldliness about the experience.
McFarlane almost has the heart of a really good story.
Tyrion’s dialogue continues to feel very natural.
Bennett is really setting the stage for something massive.
Duggan delivers a witty, admirable thug to the page with charm
Trying to balance things a bit too much for its own good.
McClaren’s art is GORGEOUS.
McFarlane finds a lot of disjointed moments.
Terse dialogue and tight-lipped drama.