There’s an encrypted otherworldliness about the experience.
All in Crime
There’s an encrypted otherworldliness about the experience.
McFarlane almost has the heart of a really good story.
Tyrion’s dialogue continues to feel very natural.
Bennett is really setting the stage for something massive.
Duggan delivers a witty, admirable thug to the page with charm
Trying to balance things a bit too much for its own good.
McClaren’s art is GORGEOUS.
McFarlane finds a lot of disjointed moments.
Terse dialogue and tight-lipped drama.
Lore and Meyer find the right angles for Alexis.
Andolfo and Blengino move the action around with a deft hand.
It’s not a mindless action story.
A nice closer for a fun drama.
Homicide detective cliches and stereotypes that have been echoing through crime fiction for nearly a century now.
A narrative voice that’s thick enough to be bulletproof.
There’s just enough tone and mood to the visuals to keep the pages turning.
Buccellato puts challenging scenes together.
The basic symbolism in Tomasi’s story is solid enough to carry the plot.
Grayson takes her time getting everything lined up.
Tynion isn’t really doing anything new with the opening issue.