Loveridge has a lot going on.
All in Sci Fi
Loveridge has a lot going on.
Orellana narrows the focus of the second issue to just and only the relationship between Sara and Max.
Johns has been taking his time delviering the more intense moments in the series.
Riegel and Beatty carry the drama off pretty well.
Tamaki continues to have fun with a fish out of water or sort of a situation.
Corona’s art is extremely textured.
Orellana frames the basic premise of the series with impressive concision.
Pepose does a remarkably good job of framing the work.
The story ends up having a great deal of energy.
Carlos has a solid sense of execution with respect to light and shadow.
The full reveal of Loughridge’s premise IS kind of a disappointment.
The strange mix of space fantasy and cyberpunk continues to wind and twist.
Williamson manages a very tight combination of familiar and unfamiliar elements.
Benitez and Chen put a lot of edges an and around everything.
Johnson's rendering continues to be very appealing.
Shalvey doesn’t move that far beyond a traditional Vietnam narrative.
Zdarsky does a clever job of manipulating the traditional trappings of superhero stories.
Vargas hits the page with a dreamy sketchiness
Johnson completes an outline of the basic premise of the series with some degree of grace and precision.
Tynion cleverly plays with some of the more prominent bits of legend .