Harren’s Kirby-inspired art moves thoughtfully and cunningly across the page.
All in Image Comics
Harren’s Kirby-inspired art moves thoughtfully and cunningly across the page.
It’s been strange fun.
SIlvestri hasn't found a way for it to lift up to its potential.
It’s subtle. Wagner is cleverly extending the characterization of the murder victim.
Bennett and Tynion dive into a folk horror that fuses with a narrative that draws inspiration from Hunter S. Thompson.
There's a moodiness that feels very hauntingly vacant.
Tomasi’s scripts suggest a deeply well-constructed world that has been planned-out with considerable care and cunning.
Kindlon’s pacing of the action feels more or less perfect.
It’s a quick and brutal issue.
Science-versus-religion in a Florida theme park? Sounds like a lot of fun.
In the end, it's just really appealing and fun.
Jordan and Sobreiro are exploring the world that has its own kind of appeal.
The intriguingly distinct horror continues to carve-out a niche for itself on the comics rack.
t takes a lot of guts to decide that this should be the way a story like this should make it to the page of a primary visual medium.
Holly-Rosing has a very warm and formal approach to storytelling.
It will be interesting to see where the Rosenberg's take it in this series.
Kim’s script plays with crime fiction tradition while remaining true to the overall form of the genre.
In the end is quite an experience.
It’s all very weird and lighthearted.