Physics don’t work like that. Neither does human anatomy,
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Physics don’t work like that. Neither does human anatomy,
Tomasi elegantly slams everything together on the edge of the current storyline.
The balance in the script and the pacing is almost perfect,
Zchut he's working with a great deal of metaphor.
Cannon’s scripting leaves a lot of delicious ambiguity around the edges.
Llovett ratchets-up the tension.
Tynion and Pichetshote have been relatively precise about how they’re allowing the game to unravel.
Craig manages to carve a lot of intricacy into a simple fantasy story of a pre-modern army preparing for war.
Gillen has a somewhat breathtaking talent for lovingly cramming a tremendous amount of story into tiny, little encounters.
Tynion’s story jumps across the first quarter of the 21st century.
Liefeld is throwing way too much at the page.
Young isn't just spoofing Mary Shelley's classic novel. There's a lot more going on here than that.
Given the right narrative momentum The Darkness could really turn into something interesting.
Spurrier is definitely moving into allegorical ground at the end of the series.
Johns manages some are very deft work in delivering a two-part issue.
Groom delivers a story that works on multiple different levels.
James Tynion is working through a crucial period.
Remender does a strikingly clever job.
The Glowing Man’s visual signature is really impressive.
Snejgjerg has a sharp and sensitive execution.