Niosi’s art has a thoughtful precision to it.
All in Image Comics
Niosi’s art has a thoughtful precision to it.
Bram and Jones keep everything firmly rooted in reality.
Snjelbherg fits the artwork over a very narrow sort of a genre.
Andreyko comes dangerously close to making a point.
Re balances the cramped conditions of the sub against the big intensity of the drama.
Frampton doesn’t bog-down the issue in too much dialogue or narration.
The genius of Hyde Street is that it tends to focus on the victims.
Hama sets-up a really sharp single-unit infiltration.
Brisson’s story has an admirable simplicity.
Vecchio’s art engages in some interesting dramatic renderings.
There’s a delicate balance.
Ayala is using some very clever narrative techniques.
Williamson is able to show a true darkness in the villains.
McFarlane is telling a pretty simple supernatural drama.
Slow and soulful thoughts … mix in with over the top combat brutality.
Loveridge has a lot going on.
The finer points of what is going on here are kind of lost.
Cafaro delivers a very moody sort of action to the page.
Fiffe is exploring the darker end of human emotion.