There’s a delicate balance.
All in Action
There’s a delicate balance.
Ayala is using some very clever narrative techniques.
Williamson is able to show a true darkness in the villains.
McFarlane is telling a pretty simple supernatural drama.
Slow and soulful thoughts … mix in with over the top combat brutality.
Schultz is doing a really good job of rendering her own little corner of everything.
Loveridge has a lot going on.
The finer points of what is going on here are kind of lost.
Cafaro delivers a very moody sort of action to the page.
Adams firmly establishes everything that’s going on in Arthur’s life.
Schultz does a very sharp job of putting it all together.
Fiffe is exploring the darker end of human emotion.
Sorressa and Atlansky manage a remarkably tight rendering of the script.
Ashley Allen cleverly constructs a very sharp progression.
Foxe seems to have a solid handle on how it is that these things work.
Grønbekk moves through the darkness of dueling energies with a clever eye.
Wilson’s script is as witty as it is complicated.
MacKay has a few too many characters to juggle.
Remarkably visually intriguing as an execution of action.
Thompson does a very sharp job of keeping the action rolling.