Waid keeps a firm sense of the absurd running the story.
All in Action
Waid keeps a firm sense of the absurd running the story.
Reynolds’ vision of the old west is very gritty.
Riley has an explosive sense of action.
It's an interesting amplification of the type of reality.
Araújo manages to find the right angles for all of the action.
Riegel and Beatty carry the drama off pretty well.
Segura mixes traditional detective mystery with something more.
Tamaki continues to have fun with a fish out of water or sort of a situation.
An interesting amplification of aggression.
Under the power of King’s writing, it’s a perfect fit.
Vecchio manages to find a way to make it work.
Piriz has managed a really clever parallel between Jonathan and Jonny.
Visuals continue to be really appealing.
A clever patchwork of various elements.
Ganuchaeu rushes through a manic series of events.
Williams keeps it sharp for his tale of Terry and the dummy.
Vale has some sense of design fresh novel visuals.
Moss is also working with imagery that had been around for a long time.
Corona’s art is extremely textured.
Bennet mixes the supernatural with the criminal.