Waid keeps a firm sense of the absurd running the story.
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Waid keeps a firm sense of the absurd running the story.
Segura mixes traditional detective mystery with something more.
Under the power of King’s writing, it’s a perfect fit.
It’s one, long interrogation.
Adams handles one of the oldest tropes in science fiction.
King does a brilliant job of characterization with a very diverse group of heroes.
Williams crams a lot of story into just a few pages.
Krajewski and Muro develop a really social sort of an opening narrative.
The second year of the series begins with a solidly entertaining issue.
The clever bit is Thompson’s ability to modulate the aggression of the action.
Wilson ends her second year with Pam in an emotionally crushing issue.
Waid orchestrates a fun “getting the team together” sort of an issue.
Williamson finds an interesting angle for the Absolute Power crossover.
Tini and Sweeney continue to have a great deal of fun hanging with Harley,
Williams cleverly balances the narrative between action and drama.
The alternating narratives cast a fascinating reflection into who Diana is.
Campbell is delicate with the pacing.
Buccellato doesn't exactly have a whole lot more room to move around.