Williamson carefully crafts a series of scenes.
All in Magic
Williamson carefully crafts a series of scenes.
A Culver-written Zatanna series would be great fun.
Grønbekk cleverly works with a large cast.
The art doesn't quite deliver the psychological impact of the drama.
Cates and Stegman have reached the climax of this particular story arc.
Monomyth is solidly entertaining.
There is a genuine sense of warmth about the opening.
There’s a tremendous amount of power shooting across the page.
Parrott enters the new plot arc with style and poise.
It’s a nice progression from the first to the fifth issues.
Soule gives each moment a great deal of room.
It’s a cleverly-crafted story.
The leap into action in the first issue is fun.
Orlando does a brilliant job.
Booher really launches everyone into conflict.
At its heart, Bennett’s story makes for a really fascinating read.
Moore’s style approaches Hell in a very straightforward way.
Wilson frames a really interesting conflict.
It’s too bad this ends up being the final issue of the series.
A lot of weird energy flowing across the page.