Vecchio’s art engages in some interesting dramatic renderings.
All in Horror
Vecchio’s art engages in some interesting dramatic renderings.
There’s a delicate balance.
McFarlane is telling a pretty simple supernatural drama.
Cafaro delivers a very moody sort of action to the page.
Ashley Allen cleverly constructs a very sharp progression.
Sarraseca has a good eye for layout.
Wilson’s script is as witty as it is complicated.
McFarlane paces the issue quite well.
There are some very strong emotions being expressed.
Andreyko could have gone for a much more sophisticated in a dramatic sense.
Tieri has a clever mash-up with a vamp Santa.
Schultz’s mix of horror/fantasy and cyberpunk flavors reaches a particularly clever point.
Simple and clean presentation of a couple of well-realized horror concepts.
Kelly Thompson does a brilliant job of channelling an amazingly cool and deeply inspiring hero.
Reynolds’ vision of the old west is very gritty.
Williams keeps it sharp for his tale of Terry and the dummy.
Bennet mixes the supernatural with the criminal.
A very well put-together series of holiday horror stories.
Barberi’s art continues to look like a suitably exaggerated sort of an action horror thing.
Layman modulates the issue pretty well.