Vecchio plays with the mutability of reality.
All in Horror
Vecchio plays with the mutability of reality.
Tynion’s script remains as appealing as it is.
Hicks is a solidly respectable storyteller
Priest finds a relatively untrodden path with vampire fiction: parenthood.
Boss weaves a fun initial premise.
Sanchez’ art has a refreshingly familiar Barry Windsor Smith feel.
Dead guards mean questions.
Andreyko has a lot of different ideas.
Bennett is doing a remarkable job.
Thompson moves efficiently through a couple of different plot points.
Reis and Miki manage a really clever bit of visual humor.
very well-executed.
it's a solidly entertaining story.
A clever fusion of horror, superhero, comedy and drama.
Simmonds once again channels some very interesting energy.
Waid has a lot of moving parts at play.
Cuartero-Briggs maintains the tension with a solidly respectable rhythm.
It's interesting to see how Bunn delivers the ending.
Priest allows the narrative to settle into a really nice rhythm.