Reynolds’ vision of the old west is very gritty.
All in Horror
Creepshow Holiday Special 2024 // Review
Williams keeps it sharp for his tale of Terry and the dummy.
Witchblade #6 // Review
Bennet mixes the supernatural with the criminal.
Dread the Halls // Review
A very well put-together series of holiday horror stories.
Gunslinger #38 // Review
Barberi’s art continues to look like a suitably exaggerated sort of an action horror thing.
The Scorched #36 // Review
Layman modulates the issue pretty well.
What's the Furthest Place From Here? # 20 // Review
There’s real darkness in what Rosenberg is bringing to the page.
Walsh’s rendering of classic scenes from the movie hits the page much better than it hit the screen in the old movie.
Johns and company deliver a really impressive second issue.
Tomasi delivers a clever turn on the traditional coming of age story.
McManus’ execution of the art in that second story is pretty impressive.
The Department of Truth #27 // Review
Tynion twists a fiction around one of the most legendary deaths of the 20th century.
Precious Metal #6 // Review
Darcy Van Poelgeest lets loose on the restless energy.
Violator #3 // Review
Andreyko fuses the narration of the issue with some degree of humor.
Witchblade #5 // Review
The art team does a good job of harnessing the horror.
The Scorched #35 // Review
It's a fun, little action sequence.
Gunslinger Spawn #37 // Review
Todd McFarlane tries his best to tell a story.
it Happened on Hyde Street: Devour // Review
It’s not that difficult to push weight-loss narratives in the right direction and watch them go.
Violent Flowers #2 // Review
There’s a lot of backstory that’s delivered.
Absolute Wonder Woman #1 // Review
Thompson has taken the basic legend of Wonder Woman and moved it into a spectacularly mystic darkness.