Waid clearly differentiates between the personalities and ideals of Clark and Bruce.
All in Drama
Waid clearly differentiates between the personalities and ideals of Clark and Bruce.
Moore’s style approaches Hell in a very straightforward way.
Howard finally found a dynamic that works with Selina.
It feels like they’re doing something quite new with Diana.
A huge range of different stories.
Lupacchino has a firm handle on the crushing drama of powerful characters.
Robinson’s story is not without its charm.
There’s a deep respect for the common house cat that seems to resonate off the page.
Wells brings a fugitive Spider-Man story into very sharp focus.
Very familiar characters don’t come across as being particularly interesting.
It really just looks like they took a staggeringly high-resolution scan of 44-year-old toilet paper.
There is some intrigue involving political ambitions.
The drama driving the story IS interesting.
Culver is covering some very familiar ground.
There’s a lot to capture the reader’s attention.
Bennett finds a remarkably clever little issue for Batman.
The Catwoman in the street is A LOT more intriguing than the one behind bars.
When you wake up in the morgue, the first thing you’re going to want to do is call your girlfriend.
A particularly nice embrace of a new season.
Conrad and Cloonan’s run on Wonder Woman feels like it’s going to be an intrepid triumph.