Phillips has a deft grasp on the story of Harley’s death.
All in Drama
Phillips has a deft grasp on the story of Harley’s death.
MacKay’s brisk humor keeps the action running.
Family drama mixes with murder, mystery, and international intrigue in another satisfying issue.
Taylor’s sense of humor gets a little weird in places.
Tamaki has a lot of fun with the dichotomies of Two-Face.
Turner puts the reader through the wringer.
Howard is given only the smallest stretch of pages in which to envision Diana in her own kind of heaven.
A pleasant contrast to some of Marvel’s other offerings.
The heart of the story rests in the final issue.
Campbell reaches the end of the second issue with a well-crafted pacing.
There’s a deep, dark poetry to Simone’s work.
The weirdness of the series twists.
A gripping social satire set in the fading light of late-stage capitalism.
MacKay manages a breezy team-up between Clea and Moon Knight.
It’s fun action with just enough depth to keep the reader interested.
Gentle complexities play out in an alternate timeline U.S.
The gravity of the drama moves everything to a final confrontation.
A fun, little excursion with a fantasy hero into a dark mutation of traditional folklore.
An issue that balances one mystery against another.
Grønbekk delivers a truly beautiful fantas.