Hellmouth #2 is competently drawn, if a bit hackneyed in its writing.
All in Crossover
Hellmouth #2 is competently drawn, if a bit hackneyed in its writing.
In a special Thanksgiving issue, Booster Gold teaches Harley the true meaning of Crossover.
Angel #6 is the strongest issue of the title to date, focusing on the supporting cast rather than the title character.
There are interesting little bits of promise emerging from an intriguing concept.
The series regains some momentum as CAFU puts in some very, very deft work.
Absolute Carnage #4 is dumb action, and thank God for it.
Supergirl continues to make a very appealingly heroic presence.
Jurgens sets things up in an auspicious direction at issue's end.
Breaking up is hard to do in Absolute Carnage #3.
Castellucci is putting together smart, interesting stuff that details Batgirl’s distinctive style of selflessness.
Keeping the action within the Spider-family gives Absolute Carnage #2 tight focus and clear stakes.
McGuire's writing is particularly sharp in this debut issue of the new series.
Fuses interpersonal drama with lighthearted fourth wall shattering multi-genre spoofery.
A new all-woman anthology series. It’s written by women. It’s drawn by women. It’s about characters who are women. Cool.
Pure, unadulterated fun.
An awkwardly expository moment as a rather large crossover event crumbles towards its final issue.
A fast-paced issue with cleverly-executed action.
McGuire wisely chooses to focus on the fun social angle of a couple of web-slingers hanging out together.
A crucial moment in Young Thor’s life
The art’s good. The story isn’t.