The whole thing feels remarkably engaging.
All in Action
The whole thing feels remarkably engaging.
The casual brutality at the end of the issue is a bit intense.
Venditti and McKinney pound the story into the page with a clever poetry.
Mendonca and Lucas maintain a crazy energy about the nightmare.
Williamson has a classy sense of language.
Bayliss and Monti keep the emotional end of the conflict solidly grounded.
Waid’s narrative is subtly trippy on a number of different levels.
Weisman cleanly opens a primal and well-defined conflict of simple elements.
Jurgens has constructed a solid ending.
As a writer, Kubert knows her own strengths as an artist.
It’s a simple and primal idea.
A Culver-written Zatanna series would be great fun.
Layman rides a pretty fine line between lighthearted situation comedy and something altogether darker.
It’s not a mindless action story.
Haun’s story might lack a little in vision.
Weisman keeps the action moving.
Cox puts Kong firmly in the background.
Grønbekk cleverly works with a large cast.
Marz is taking traditional notions of cosmic-level action and jostling them.
Another very strong and emotionally engaging story.