Vecchio’s off-center framing of the action seems to be diving straight into Maddie.
All in Horror
Vecchio’s off-center framing of the action seems to be diving straight into Maddie.
Bennett is juggling many different elements of Sara's life.
Allen gives the action and drama a depth.
The darkness in the series continues to deepen.
Fun stuff. Deliciously Dark.
There's a brilliant sense of balance that almost seems crushingly beautiful.
Niosi’s art has a thoughtful precision to it.
Snjelbherg fits the artwork over a very narrow sort of a genre.
it’s kind of difficult to get a feel for increasing tensions.
Andreyko comes dangerously close to making a point.
The genius of Hyde Street is that it tends to focus on the victims.
Brisson’s story has an admirable simplicity.
Thompson has a unique and sparklingly witty energy.
Vecchio’s art engages in some interesting dramatic renderings.
There’s a delicate balance.
McFarlane is telling a pretty simple supernatural drama.
Cafaro delivers a very moody sort of action to the page.
Ashley Allen cleverly constructs a very sharp progression.
Sarraseca has a good eye for layout.
Wilson’s script is as witty as it is complicated.