Tynion doesn’t draw a whole lot of insight into the characters.
All in Horror
Tynion doesn’t draw a whole lot of insight into the characters.
Avallone throws a bit of a fight party for all of the big monsters from classic cinema history.
Thompson does a really good job of illustrating the thoughts and feelings of a group of people.
Wilson, Takara, and Prianto continue to develop something truly distinct and distinctive.
Crook glides the horror drama through a well-paced story.
The story gets really interesting.
Johnson keeps the action moving as the story begins to reach its climax.
Williamson ushers a couple of powerful Kryptonians through their greatest fears.
Lore's writing ramps up once Punchline takes total stock of the fact that she's in a dream.
A tight, little nightmare
Skull Island. Seriously, call it Skull Island: The Great War.
Booth and company do the best they can with another issue-length combat sequence.
The Cull is completely unlike anything else on the comics rack right now.
Tynion crafts a very tight, little personality around Thessaly.
Wilson nails some of the more intriguing things that make Poison Ivy such a relatable character.
A fun opening to what is hopefully going to be a really well-articulated horror drama.
King has a tremendous amount of patience in laying out the full reality of a life.
Hazan launches the danger directly at the survivors.
Williamson carefully crafts a series of scenes.
Watters gives Jim Gordon another close-up.