Silvestri’s work makes good use of one of the more iconic cities in the DC Universe.
All in Horror
Silvestri’s work makes good use of one of the more iconic cities in the DC Universe.
Tynion is simply presenting the story of Betty and Barney Hill.
On the surface, there REALLY isn’t much to the story.
MacKay crosses the midway point of the series with style and poise.
It’s all very familiar.
Fawkes has some good ideas.
It’s never anything other than stylish.
MacKay has a delicious rhythm worked out.
Brusha brings a lot to the page.
Prenzy has an impressive mastery of kinetic action on the page.
The heaviness of the imagery tends to pummel any of the horror off the page.
So much of what Tynion is doing rests between the moments of the story.
A deliciously clever approach.
As the vampires fight over Laura, Raymond and his human captor make their way closer.
A story from Val’s past sheds light on her future.
There’s a compelling contrast between the wild-eyed Noah and the regal power of Theon.
Wilbur isn’t having a good time with Big Business and starts a sequence of events that builds a new family.
The game of cat and mouse continues as Bats, Billy, and Vickie try to find the human girl.
There is much that is gruesome and appealing on the page.
Stoll’s art features some remarkably crisp line work.