John Constantine: Hellblazer #1 is a good debut, and a return to Constantine’s horrific roots.
All in Horror
John Constantine: Hellblazer #1 is a good debut, and a return to Constantine’s horrific roots.
Angel #7 is a solid comic that doesn’t transcend the source material.
From the disturbing confidence of Banner/Hulk to the unsettling final panels, you’ll find Ewing’s new take on an old classic impossible to put down.
Something is Killing the Children remains one of the most exciting books of the year, in a year that has brought many interesting horror series to the forefront.
Gotham City Monsters #3 is full of overwrought dialogue and weird anatomy.
The Dollhouse Family #1 looks exactly like a 1990s Vertigo comic, but it lacks the soul of that period in comics.
Hellmouth #2 is competently drawn, if a bit hackneyed in its writing.
Family Tree #1 is a solid first issue, establishing the small circle of main characters and putting them in a horrific situation.
A fresh, new direction for the book
Buffy the Vampire Slayer #9 is a particularly strong episode in Boom! Studio’s hit-or-miss reboot of the Buffyverse.
Locke and Key: Dog Days is like coming home for fans of the original comic, even if the visit is all too brief.
Ghost Rider #2 is a mixed bag, with baffling character motivations and uneven art.
The final issue of the first series lacks some of the delicious creepiness that opened the story.
Basketful of Heads #1 is an auspicious launch of DC’s new Hill House label.
The Sandman Universe Presents Hellblazer #1 is a strong reintroduction to John Constantine.
If you’re looking for something spooky this Halloween, make sure to pick this up.
It's a really delicate balance that MacDonald and Farrell execute in the lead story.
If you want a splash of horror with your heroes, look no further.
Angel #6 is the strongest issue of the title to date, focusing on the supporting cast rather than the title character.
This chapter seems to be setting up the next leg of Ewing’s epic