Genuinely groundbreaking storytelling
All in Horror
Genuinely groundbreaking storytelling
Buffy the Vampire Slayer #7 from Boom! Studios takes a break from the ensemble-based format of the first six issues to focus entirely on Willow.
Seven issues complete, and yet nothing has been accomplished.
There’s solid work in Angel #3, but it’s a shame the book is hamstrung by the constraints of a reboot that mostly serves the needs of another book.
Jason Aaron crafts an enjoyable pop fusion of demonic horror and superhero team action.
The messy grittiness of a police assault on a rural human trafficking outpost feels weird and stringy.
Who is General Reginald Fortean and how and why did he become such a powerful threat
Two of Marvel’s most blood thirsty anti-heroes cross paths
This is another solid issue of raising stakes and adding complications in a compelling new direction for the Buffy franchise; it’ll be interesting to see how it all pays off, if at all.
Seemingly sent from the gods to fulfill their destiny on this book, the art team is Perfection
The creative team is doing compelling work in Angel #2, but something is still missing.
Young and Corona dive a bit further into the shadowy horror fantasy of a very distinctive small-town American fantasy world.
A near-perfect issue of The Immortal Hulk that will leave your mouth agape in horror.
Mankind has colonized the galaxy, but during our interstellar travels, we discovered a terrifying secret out in the Outer Darkness of space.
Buffy the Vampire Slayer #5 can’t decide who its audience is, and this issue suffers for it.
If this were the first issue of some brand new property, this would be a competent enough first issue, but as the first issue of a new Angel series, it’s lacking.
The one monster who never dies — who returns, again and again, to hate and destroy.