Young Diana hits a particularly breathtaking high point.
All in Female Lead
Young Diana hits a particularly breathtaking high point.
Basri frames the action with a steady hand.
Straight-ahead action mystery.
Wall and Haberlin set up quite a challenge for themselves.
A fair amount of the issue is dialogue-heavy exposition
MacKay crosses the midway point of the series with style and poise.
Steph’s past is given a close-up in a suspenseful issue.
A breezy, adorable mood bounces from panel to panel.
The conflict between Scarlet Witch and Nightmare’s daughter is cleverly rendered.
Fawkes has some good ideas.
Raynor draws heavy shadows over everything.
Phillips is having fun.
Howard DOES manage a few clever moments.
A very sophisticated story by G. Willow Wilson.
Ewing runs through the opening issue with a degree of grace that matches that of his main character.
It’s not much, but it’s an ending.
It’s never anything other than stylish.
It’s kind of fun to see all of the sidekicks that Johns has created for Golden Age heroes.
Campbell has found an appealing way to make Mary Marvel seem that much cooler than Parker and Beck’s Captain Marvel.
Silence and precision are the perfect pairing for a “silent comic” format.