Tamaki carves a lot of poetry into the plot.
All in Female Lead
Tamaki carves a lot of poetry into the plot.
Writer Bryan Hill develops a script that’s as smart as it is witty.
Still stuck in the year 2052, Captain Marvel is making the best of her time there, helping the surviving heroes hunt down their missing teammates.
The specifics may feel weak, but the drama has enough gravity to hold together the story.
Writer Cavan Scott tells a concise tale of contemporary fantasy that is brought to the page with some intensity by artist Jose Lucas.
Wilma may be the one element of the story that feels fresh and original.
Tamaki frames the climactic battle in a throne room on the other side of the planet.
The best part of the issue has to be Pacheco’s wit, which keeps the action slick and enjoyable from cover to cover.
Ram V has constructed a thoroughly enjoyable script.
Writer and artist manage a very emotionally engaging one-shot.
In the grim and horrifying world of 2020, sometimes you just need some fluff and fun.
Tamaki and company orchestrate some surprisingly thoughtful allegory in a very satisfying issue.
The Magnificent Ms. Marvel #16 continues to explore how Kamala's Law has affected Ms. Marvel and friends' abilities to carry out their superhero duties.
A provocative 21st-century update on the Joker concept.
Kelly Thompson continues a tale of a misplaced amnesiac Marvel super-spy.
Bomb Queen has plenty of plenty of time to be gruesomely violent, abhorrently duplicitous, and beautifully clever.
An enjoyable 16-pager that weighs aggressive action against more nuanced interpersonal matters between two superheroes.
The simple application of history to the legend of Themyscira makes for a fun, little excursion into Diana’s childhood.
Dan Panosian’s story develops further intrigues.
Macchio puts together a briskly-moving single-serving story.