Williamson is able to show a true darkness in the villains.
All in Drama
Williamson is able to show a true darkness in the villains.
McFarlane is telling a pretty simple supernatural drama.
Slow and soulful thoughts … mix in with over the top combat brutality.
Schultz is doing a really good job of rendering her own little corner of everything.
Loveridge has a lot going on.
The finer points of what is going on here are kind of lost.
Cafaro delivers a very moody sort of action to the page.
Adams firmly establishes everything that’s going on in Arthur’s life.
Schultz does a very sharp job of putting it all together.
Fiffe is exploring the darker end of human emotion.
Sorressa and Atlansky manage a remarkably tight rendering of the script.
Orellana narrows the focus of the second issue to just and only the relationship between Sara and Max.
Ashley Allen cleverly constructs a very sharp progression.
Foxe seems to have a solid handle on how it is that these things work.
Sarraseca has a good eye for layout.
Grønbekk moves through the darkness of dueling energies with a clever eye.
Wilson’s script is as witty as it is complicated.
Remarkably visually intriguing as an execution of action.
Thompson does a very sharp job of keeping the action rolling.
Cassara’s art is tough as nails.