McFarlane finds a lot of disjointed moments.
All in Drama
McFarlane finds a lot of disjointed moments.
A very real sense of earthbound drama.
It’s not terribly deep.
Takeda’s execution of the drama is very cleverly crafted.
It’s sci-fi action with animals and Fabok is handling admirably.
Might be one of the single best things Remender has written in the past few years.
Gündüz frames some really striking imagery.
Delivers some cleverly dark political-cultural satire.
Ultimately it comes together, but it’s a bit of a disappointment.
Remender a mixes contemporary social satire with a very sharp sort of a family drama.
It’s been fun so far.
Oh christ...the dialogue is awful.
Cafaro has a solid sense of mood and tone.
King does a brilliant job of characterization with a very diverse group of heroes.
Williams crams a lot of story into just a few pages.
Manages to remain remarkably character-centric in spite of all of the sci-fi tropes that are being explored.
Stott’s art grabs hold of the emotional.
Frank has developed a really unique visual signature for the character.
Motion lines. They’re abusing motion lines.
MacKay shows that he has a really solid grasp of what makes the X-Men appealing.