Cloonan and Conrad cleverly work an extended ensemble of characters.
All in Drama
Cloonan and Conrad cleverly work an extended ensemble of characters.
Wilson is increasing the pressure on Poison Ivy.
The opening issue holds a charmingly graphic appeal with a great deal of potential.
Tynion has had a hell of a lot moving around the shadows.
Phillips has a deft grasp on the story of Harley’s death.
MacKay’s brisk humor keeps the action running.
Family drama mixes with murder, mystery, and international intrigue in another satisfying issue.
Taylor’s sense of humor gets a little weird in places.
Tamaki has a lot of fun with the dichotomies of Two-Face.
Turner puts the reader through the wringer.
Howard is given only the smallest stretch of pages in which to envision Diana in her own kind of heaven.
A pleasant contrast to some of Marvel’s other offerings.
The heart of the story rests in the final issue.
Campbell reaches the end of the second issue with a well-crafted pacing.
There’s a deep, dark poetry to Simone’s work.
The weirdness of the series twists.
A gripping social satire set in the fading light of late-stage capitalism.
MacKay manages a breezy team-up between Clea and Moon Knight.
It’s fun action with just enough depth to keep the reader interested.
Gentle complexities play out in an alternate timeline U.S.