A major early turning point in the series feels every bit as ominous as it should be.
All in Drama
A major early turning point in the series feels every bit as ominous as it should be.
Bendis, Walker and Campbell deliver the story with enough impact to make it feel reasonably compelling.
Middlewest swings into a clever bit of momentum with this issue.
The first arc of the smartest funny animal comedy around today makes an engagingly witty end in its sixth monthly installment.
Jeremy Whitley thoughtfully fuses genres in an endearingly unique chapter in the lives of the latest incarnation of The Wasp and her friends at Genius In action Research Labs.
A dialogue/caption-heavy issue that feels like it could have been framed better.
While the flashbacks do some work providing details about Apocalypse in the dystopian utopia of The Age of X-Man, they seem unnecessarily tacked-on to an issue that isn’t doing a whole heck of a lot else.
Overcomes a disjointed plot structure to maintain the intrigue.
Another thoroughly satisfying chapter in the life of hitman/A&R guy Martin Mills.
Mystery continues to bleed and pulse around the edges of aggression in a prison for super-humans.
Groom plays with expectations in a twist on certain cyberpunk sci-fi conventions.
Complexity looks good on Vindication as detective and suspected murderer come face-to-face.
Continues to make the unique web-slinging corner of the Marvel Universe feel fresh in spite of the fact that it’s been around for over half a century.
For a sustained six pages, the book doesn’t even FEEL like a mainstream superhero comic.
The Soskas have a very sophisticated grasp of what makes Black Widow such an interesting character.
Comedy finds more cleverly inventive off-center narrative as the mystery deepens.
A mix of weird fiction that still manages to find the gravity of serious drama.
A horrifyingly enjoyable issue-length celebration of revenge.
It’s a valiant attempt at covering the fallout of the death of a legendary villain.