Stott’s art grabs hold of the emotional.
All in Action
Stott’s art grabs hold of the emotional.
Frank has developed a really unique visual signature for the character.
A really beautiful kind of pacifism works in this particular story.
Motion lines. They’re abusing motion lines.
Krajewski and Muro develop a really social sort of an opening narrative.
The dialogue is quick and crisp.
MacKay shows that he has a really solid grasp of what makes the X-Men appealing.
The second year of the series begins with a solidly entertaining issue.
The clever bit is Thompson’s ability to modulate the aggression of the action.
The horror is dense. The atmosphere is immersive.
A simple action story that doesn’t try to reach for too much in the way off substance or depth.
Busiek and Nicieza have the nucleus of a good idea.
Llovet’s story has a crisp precision about it.
Waid orchestrates a fun “getting the team together” sort of an issue.
Time travel stories are always a bit awkward.
Williamson finds an interesting angle for the Absolute Power crossover.
Tini and Sweeney continue to have a great deal of fun hanging with Harley,
Williams cleverly balances the narrative between action and drama.