Jennings mixes interpersonal drama and cosmic-level superhero action.
All in Action
Jennings mixes interpersonal drama and cosmic-level superhero action.
Kim works with standard sci-fi tropes.
Brisson is bringing across a very vivid and arduous journey.
Percy has the basic elements of horror action done remarkably well
Wong crafts a pleasantly surreal encounter.
The writing team focuses on the street-level aspects of the supernatural.
Ziglar manages to make it look like a crazy last-ditch effort to save New York.
Onyebuchi is carving a very balanced path through the mind of Sam Wilson.
Land and Leisten make it all look pretty solid.
Wells finds something new for Doc Ock.
Not enough is actually happening on the page.
Barberi has a pretty solid look going for the issue.
Lemire tackles the drama with a solid sense of mystery.
Robinson is now ready to dive more deeply into the central conflict of the series.
Homicide detective cliches and stereotypes that have been echoing through crime fiction for nearly a century now.
A final dramatic push into the climax.
A narrative voice that’s thick enough to be bulletproof.
Deibert actually manages to articulate every character.
Older seems to be dragging things out.
The story arc wraps up with nuanced drama that resonates through darkness and horror.