Liesel comes across as a fun hero here, but she deserves better.
All in Action
Liesel comes across as a fun hero here, but she deserves better.
Orlando does a brilliant job.
Waid solidly establishes what’s going on.
It loses its momentum once things get wacky.
Adams has a remarkably solid sense of composition.
Wilson is working brilliantly with both psychological and supernatural horror.
Rosenberg struggles to keep the stories distinct.
Landy gets pretty heavy with the narration.
Wilson gives Wonder Woman the warmth and passion that she so richly deserves.
At its heart, Bennett’s story makes for a really fascinating read.
Waid clearly differentiates between the personalities and ideals of Clark and Bruce.
Adams tackles a real challenge with an issue that is largely populated by kids.
Moore’s style approaches Hell in a very straightforward way.
Howard finally found a dynamic that works with Selina.
Cloonan and Conrad have given Steph, Cass, and Babs a very solid sense of character development.
It feels like they’re doing something quite new with Diana.
Lanzing and Kelly dive straight into space western mode.
Franchini keeps the action moving.
A huge range of different stories.
Brisson keeps the action moving quickly.