Selina returns to Gotham in a promising new direction for her series.
All in Action
Selina returns to Gotham in a promising new direction for her series.
Largely fails to embrace the possibilities of spy-based drama on the comics page.
Poetic notes populate an issue that is somewhat sparse on the visuals.
Tamaki and company dive more in-depth into themes of truth and fabrication in a fast-moving action story.
The horror flooding through Colleen is heartbreaking.
The cat is hypnotically cute.
Thompson deftly manages a very narrow characterization for Black Widow.
It may be lacking the spark that could make it brilliant, but the series continues to entertain.
Cate and Kate are just...really, really fun.
Aero begins to feel a bit more like a part of a larger tapestry.
Nearly everything that Tamaki is putting on the page is powerful and resonant
A sexy fascist villain returns with a pleasantly crude political satire.
The excitement and weight of Thor's actions in this chapter are almost too much to bear.
An issue that glides gracefully through a couple of major plot points.
A clear and articulate adventure
So it is that a certain clown girl ends the run of her current series.
An enjoyable issue that peers a bit more into the psyche of Selina Kyle.
If this issue isn’t proof that Bruce Banner is suffering under some sort of lifelong, bad luck “Thinner” curse, what else would it take to convince you?
Erickson is trying to navigate Diana through a bit too much for a single, 16-page issue.
Writer David Hine and artist Brian Haberlin celebrate the "silent comic" format.