Ewing and Aaron give the cosmic end of the Marvel Universe a strikingly emotional core.
All in Action
Ewing and Aaron give the cosmic end of the Marvel Universe a strikingly emotional core.
Clean and kinetic without too many loose ends.
Houser and company find something appealing in another hero-vs-hero story.
Writer Seanan McGuire weaves a very cleverly crafted, little web-slinger story.
The graceful integration between art and story expands to fill a full issue quite well.
It’s appealing to see MJ’s relentlessness in completing the project.
MacKay’s fusion between humor and action continues to make this series one of Marvel’s most satisfying.
Writer David Hine and artist Brian Haberlin’s story increases in complexity.
Writer Cecil Castellucci delivers a new twist on an old premise.
Houser would have needed a series twice the length she had to work with here to bring across the full depth of what she was attempting.
The menace might not be delivered completely, but Allor and Walter smartly render the complexity of Cobra.
A very sharp debut for a very promising new mini-series.
With great responsibility comes great exhaustion.
A series that is starting to show signs of substantial originality.
Despite starting as an “event,” the 2099 storyline ends as a small origin story.
The Lethal Protector returns for the new age of heroes.
There’s not a whole lot going on here, but Jones manages to filter-in a couple of intriguing, little mysteries that add to the action.
Once more, DOOM has one of the best books of 2099.
The worlds in Gwen’s life collide in a fun installment.
Another exciting issue of a very provocative series.