Allor’s third chapter lacks some of the grit and aggression of the first two.
All in Action
Allor’s third chapter lacks some of the grit and aggression of the first two.
…Gwenpool Strikes Back #5 is an emotional rollercoaster but in the worst possible way.
The laughs themselves are a bit weak, but Russell and Norton host a fun, little 30-page party for anyone interested in attending.
The new team has a solid grasp of the heroine at her worst in a very appealing first issue.
The weird complications of principal photography on a supervillain-helmed movie continue to cast light on a cleverly under-developed end of the Marvel Universe.
Writer/artist/letterer John Upchurch takes a spin with the old cliche in a world of humans and werewolves.
A young hero leads a group of mid-list superheroes on a mission to save Death.
Dives into the overall emotional state of a young architect who just happens to be a superhero.
It’s fun, but it lacks the edgy depth that Humphries and Basri have lent to the series this past year.
The interpersonal drama comes to the fore in an engaging story revealing a bit more about Becky’s personality.
The departure from a narrow focus on Felicia compromises the charm of the series.
This issue shows some promise as the series begins to reach its end.
A very clever contrast between hero and villai makes for a very satisfying issue.
Ewing and Aaron manage to find a really novel new way to defeat an old villain.
Writer Mark Waid wraps things up quite nicely in an issue drawn by Mattia De Iulis.
Writer Seanan McGuire carves out a little more uneasy narrative terrain for the young superhero.
In the future of 2099, the police only look out for the rich and famous. The Punisher aims to fix that.
This issue just goes to show that you can take the man out of the Hyborian Age, but you can’t take the Hyborian Age out of the man.
Marvel finally chooses to capitalize on Yondu’s popularity… two years later.