Vecchio’s art engages in some interesting dramatic renderings.
All tagged B
Vecchio’s art engages in some interesting dramatic renderings.
There’s a delicate balance.
Williamson is able to show a true darkness in the villains.
Slow and soulful thoughts … mix in with over the top combat brutality.
Adams firmly establishes everything that’s going on in Arthur’s life.
Sorressa and Atlansky manage a remarkably tight rendering of the script.
Craig manages just the right mount of dialogue.
Foxe seems to have a solid handle on how it is that these things work.
Cassara’s art is tough as nails.
A refreshingly retro issue.
McFarlane paces the issue quite well.
Phillips is working on some interesting energies.
Barel and McFarlane manage to keep the drama running.
Tomasi is working with some fairly simple concepts.
Mooneyham allows the action to tumble across the page.
Johns has been taking his time delviering the more intense moments in the series.
Jones and Bram deliver a solid earthbound reality to the page.
Waid keeps a firm sense of the absurd running the story.
Reynolds’ vision of the old west is very gritty.
Riley has an explosive sense of action.