Portella’s art is exquisite.
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Portella’s art is exquisite.
It just feels real on more levels than it has any right to be.
Wagner’s anti-hero is a lot of fun to hang out with.
There’s a delicious graininess to Jones’ art.
It's really fun to see what Wilson is doing.
Loughridge finds a suitable end point for a series.
Shalvey could really expand this one issue into a whole series.
Azaceta can say a tremendsous amount with only a few line.
Priest finds a relatively untrodden path with vampire fiction: parenthood.
It’s a sharply-structured story that Allen is bringing to the page.
It’s remarkably clever stuff.
Devastatingly intense.
Camp is playing on basic fears.
A really cool prequel to Strange Tales #89 from July of 1961.
Phillips is moving through quite a lot.
Dead guards mean questions.
Remender balances out the weird with the familiar.
Bennett is doing a remarkable job.
Thompson moves efficiently through a couple of different plot points.
Reis and Miki manage a really clever bit of visual humor.