Embraces an active relationship between character and audience.
All in Mystery
Embraces an active relationship between character and audience.
A delicately-woven script.
Shultz and company delicately scatter a constellation of clues into the firmament of the first issue of a promising new series.
As Paul hunts down clues, all hell breaks loose around the city.
Jones’s charm slides across the page in a clever tumble.
Jones' layouts are gorgeous.
Diana is seen at two deeply contrasting stages in her life.
Paul gets some clues to what’s going on in Fairhaven.
Nijkamp shoots Kate through a very brisk mystery.
There's something rotten in Fairhaven.
The investigator gives his findings to the Turley campaign.
Be careful of the frogs.
The investigator falls into the trap of his own devising... or is it one of Myerson and Laura’s?
The investigator learns some things that blow the whole investigation wide open.
Cain’s satire sinks into a more profound horror.
The team goes to the Gala and one mystery is solved. At the same time, another begins.
The plot thickens.
The investigator looks for answers from some of the last people to see Laura and Myerson alive.
The investigator finds the source of Myerson and Laura’s letters.
The investigator gets a new lead.