Wagner and Dabbs conjure a brilliantly expressive first issue.
All in Image Comics
Wagner and Dabbs conjure a brilliantly expressive first issue.
Cady weaves the opening to the series with a tight, little ensemble of characters.
Writer Todd McFarlane does his...McFarlane thing…
Madureira picks up the series more or less where he left it 22 years ago.
Some of the heaviest stuff on the comics rack today.
A great deal of time world-building with this issue.
Layman’s weird cast of characters is fun by virtue of the sheer randomness of their backgrounds.
Really SHOULD be a more appealing issue.
Taking away the names, the fame, and the legend allows Chaykin to focus his history on the people who built an industry.
Soule gives each moment a great deal of room.
The basic symbolism in Tomasi’s story is solid enough to carry the plot.
Occasionally manage a kind of beauty.
Tynion is throwing a lot at the page.
Guggenheim has a good approach to Michelle’s big showdown.
Lewis doesn’t give a whole lot of definition between any of the warriors.
Craig’s story begins to take on a bit of its own personality.
Masellis’s art is totally in love with the casual beauty of Gail.
Rucka and Trautmann have perfected the precise blend of humor, action, and horror.
Wheels are in motion in multiple directions.
Duggan’s central idea is pretty silly.