There's a lot of blasting and tumbling,
All in Horror
There's a lot of blasting and tumbling,
Avallone has more than a few genuinely funny moments here and there.
The drama-heavy issue is filled with lots of moody, atmospheric silences.
Mendonca and Lucas maintain a crazy energy about the nightmare.
Williamson has a classy sense of language.
Directionless energy allows Culver to explore the skewed psyches of his characters,
Kudranski’s attempts at the profound only occasionally brush against something other than cliche.
Layman rides a pretty fine line between lighthearted situation comedy and something altogether darker.
Cady takes his time slowly advancing into the site.
It’s really just one conversation.
He’s a monster, but Lemire cleverly engenders sympathy for him.
The heavy sketches of Porter’s work are well-suited to a nightmare realm.
Ravager feels like one of the more sophisticated treatments of the nightmare realm.
Ilhan and Morales openly embrace the garish nightmare.
Cox puts Kong firmly in the background.
A sharply clever job of articulating bewildering complexity.
Percy has the basic elements of horror action done remarkably well
The writing team focuses on the street-level aspects of the supernatural.
Lemire tackles the drama with a solid sense of mystery.
Liu’s work is deep and resonant.