Liesel comes across as a fun hero here, but she deserves better.
All in Female Lead
Liesel comes across as a fun hero here, but she deserves better.
Wilson is working brilliantly with both psychological and supernatural horror.
Wilson gives Wonder Woman the warmth and passion that she so richly deserves.
Genolet and Quinones have a wit about their art.
Howard finally found a dynamic that works with Selina.
Cloonan and Conrad have given Steph, Cass, and Babs a very solid sense of character development.
It feels like they’re doing something quite new with Diana.
Brusha doesn’t find a particularly novel approach to the resolution, but it’s still a fun one to explore.
There’s a deep respect for the common house cat that seems to resonate off the page.
A brilliantly expressive story.
Johns is juggling a great many heroes here.
The Catwoman in the street is A LOT more intriguing than the one behind bars.
Conrad and Cloonan’s run on Wonder Woman feels like it’s going to be an intrepid triumph.
Cantwell is opening the series in uncertainty.
It’s a fun one-shot adventure.
Wilson frames a really interesting conflict.
Wilson’s satirical wit slices through wealthy southern California health culture.
Zama’s scratchy hatching feels strikingly characteristic of…manga.
Howard and Howard are juggling a whole lot of crazy.
the inescapable gravity of the format crushes anything meaningful.