While the story ends on a cliffhanger that sells the hype for the Last of the Marvels arc, the rest of the book falls short of being enjoyable.
All in Female Lead
While the story ends on a cliffhanger that sells the hype for the Last of the Marvels arc, the rest of the book falls short of being enjoyable.
Bellaire is given some really fun opportunities to bathe the action in color.
Areas of Diana’s identity and personality are given fresh light.
Conrad and Cloonan whisk Diana through a few different dimensions with impressively brisk pacing.
The second issue feels like a bit of a mess.
Taking place during the exposition of the Fear State event, Harley Quinn #6 brings in Scarecrow as an additional threat to Harley and her heroic attempts.
Val, Em, and Bailey learn the truth about their situation.
Bellaire puts in a spectacular job with this issue's color.
Be careful of the frogs.
She brushes a bullet out of her eye like a single tear.
The second Warhammer 40,000 Marvel Comics series is off to a good start with an impressively international creative team.
Felicia is positively gorgeous, thanks to Reber’s work.
Another satisfying chapter in the life of Jessica Drew.
Pure, simple fun with a little intrigue thrown in.
Conrad and Cloonan point Diana in a really cool direction this time around.
As far as in-between arc stories go, Captain Marvel #31 was a great one; It got me hyped up The Last of the Marvels without feeling like this story was filler.
It's gentle, intimate, and moody.
A dizzyingly interesting drama.
The variety of art and story styles open up a really refreshing spectrum.
The two-story balance allows a single issue of Wonder Woman to feel that much more substantial.