Watters’ wit accompanies a lot of interesting bits of narration.
All in Drama
Watters’ wit accompanies a lot of interesting bits of narration.
Seeley and Fleecs deliver a lot of tension.
Wagner is doing a sharp job.
Rat City has been an interesting experiment.
Theoretically Redcoat could turn into something.
It’s a fun opener to a promising series.
It’s one, long interrogation.
Zdarsky isn’t working with anything that is terribly new.
Johns lays-out a very clear physical conflict between three men and a two-headed dog.
Bertram’s art builds a richly textured background.
Johnson is working with a very large extended ensemble.
There really IS a kind of weighty reality that Priest is bringing to the page.
Some journeys don’t require words.
Higgins and Siegel lower in a hell of a lot of background.
A fun skewing of some traditional superhero tropes.
McFarlane is working with a dozen different cliches.
Wijngaard’s work is brilliantly muted. Gillen’s script is cleverly concise.
Tynion is working with tropes that have been used pretty extensively before.
Adams handles one of the oldest tropes in science fiction.
Tynion is once again channeling Alan Moore’s work on Brought to Light.