Stott’s art grabs hold of the emotional.
All in Drama
Stott’s art grabs hold of the emotional.
Frank has developed a really unique visual signature for the character.
Motion lines. They’re abusing motion lines.
MacKay shows that he has a really solid grasp of what makes the X-Men appealing.
Wilson ends her second year with Pam in an emotionally crushing issue.
An interesting exploration into a character who never really got the center of the screen.
Llovet’s story has a crisp precision about it.
The alternating narratives cast a fascinating reflection into who Diana is.
Rowell IS telling a solid superhero story.
Echoes some of the better aspects of previous Power Girl stories.
It’s a cheap gimmick, but it works.
Thompson does a really good job of illustrating the thoughts and feelings of a group of people.
Wilson, Takara, and Prianto continue to develop something truly distinct and distinctive.
Parker and Sheridan really have something here.
Bustos gives Smallville an atmosphere and personality.
Clark and DeSouza set up a perfectly cool crime procedural.
Williamson places Deadman at the center of the climactic action.
García nails some very vivid specific moments.