Slott takes a reasonably sophisticated approach.
All in Drama
Slott takes a reasonably sophisticated approach.
Straight-ahead action mystery.
Wall and Haberlin set up quite a challenge for themselves.
A fair amount of the issue is dialogue-heavy exposition
On the surface, there REALLY isn’t much to the story.
MacKay crosses the midway point of the series with style and poise.
Without the usual trappings of a Batman story, it’s just...Bruce Wayne.
There’s a steady rhythm to the opening issue.
Wilson gives Ivy quite a bit of happiness this issue.
The conflict between Scarlet Witch and Nightmare’s daughter is cleverly rendered.
It is so very rare that a superhero script truly seems at least kind of unpredictable.
Raynor draws heavy shadows over everything.
Johns is clearly going for something very, very ambitious.
Ewing runs through the opening issue with a degree of grace that matches that of his main character.
It’s not much, but it’s an ending.
It’s kind of fun to see all of the sidekicks that Johns has created for Golden Age heroes.
Campbell has found an appealing way to make Mary Marvel seem that much cooler than Parker and Beck’s Captain Marvel.
Silence and precision are the perfect pairing for a “silent comic” format.
It’s always fun to see two Wonder Women team up.
Zub and Fawkes have real potential in a series focusing on Arcade and Murderworld.