Jones' layouts are gorgeous.
All in Drama
Jones' layouts are gorgeous.
It almost approaches a kind of genius in moments
Howard has firmly established a rapport with Catwoman.
The visuals continue to appeal.
An intriguing idea that casts a sharp arc through its first issue.
Brutality. Violence. Reanimation. It's all in there.
The two chapters pair well together under a single cover even.
Rainbow Rowell makes it tremendous fun.
Thompson's final issue feels a bit rushed.
Kelly Sue DeConnick crafts a clever stretch of heroic legend.
Delicate detail with some fascinating angles.
WAY more fun than it honestly has any right to be.
The three stories have enough variation between them to make for a satisfying anthology.
Jones’ distinctively atmospheric art makes its mark on Themyscira.
Fornes and Bellaire Are working with some remarkably iconic images.
Diana is seen at two deeply contrasting stages in her life.
There's a moody nuance to it all.
Howard’s carefully-crafted political power drama continues to hold compelling gravity.
The coin's origin is given greater depth in the tight, little nightmare of a standalone issue.
A unique connection between a living soul and a ghost that strikes the page with beautiful balance.