Narrative coherence bleeds around the edges of the dark poetry in a satisfying eighth issue.
All in Drama
Narrative coherence bleeds around the edges of the dark poetry in a satisfying eighth issue.
An enjoyable 16-pager that weighs aggressive action against more nuanced interpersonal matters between two superheroes.
The simple application of history to the legend of Themyscira makes for a fun, little excursion into Diana’s childhood.
A story that is weighted so heavily in dialogue really has no business working this well in a comic book format.
Dan Panosian’s story develops further intrigues.
A surprisingly well-balanced final chapter written by Cecil Castellucci.
Tamaki’s pacing and plot structure are particularly good this time around.
Did anyone have “Eastman and Laird team up on a comic once more” on their 2020 bingo sheet?
Pérez slices the action across the page in long, narrow panels.
The pacing of the story gets a bit lost in the poetry early on.
Ram V places various elements into the frame with an architect’s eye for detail.
Real love for the source material bleeds through the script.
A fun action encounter on the beach.
The drama hits the page with an odious moistness.
The unique personality of Natasha Romanoff defines the heart of the story.
Obropta and Simonson's "Museum Madness" is a sharp, little prequel to Wonder Woman 1984.
Tamaki strikes a powerful balance between youth and malice with a compelling, new villain.
A novel approach to dark fantasy in a world of conspiracy.
The modern-day witch-based horror/fantasy series opens with some endearing wit and a whole lot of potential.
Pacheco finesses a lot of things in this issue that really have no business working as well as they do.