There’s just enough tone and mood to the visuals to keep the pages turning.
All in Crime
There’s just enough tone and mood to the visuals to keep the pages turning.
Buccellato puts challenging scenes together.
The basic symbolism in Tomasi’s story is solid enough to carry the plot.
Grayson takes her time getting everything lined up.
Tynion isn’t really doing anything new with the opening issue.
Howard finally found a dynamic that works with Selina.
Franchini keeps the action moving.
Brisson keeps the action moving quickly.
The Catwoman in the street is A LOT more intriguing than the one behind bars.
A particularly nice embrace of a new season.
Cantwell is opening the series in uncertainty.
Seriously: just get rid of Batman in Detective Comics.
Basri frames the action with a steady hand.
Howard DOES manage a few clever moments.
A very sophisticated story by G. Willow Wilson.
The heaviness of the imagery tends to pummel any of the horror off the page.
The descent to rock bottom hits the page beautifully.
Brisson whisks the action through five different locations in less the 20 pages.
Georgiev’s art is by far the sleekest in the issue.
Zornow’s rubbery werewolf has a wonderful expressiveness.