It’s a fun story that almost lives up to the premise.
All in Comedy
It’s a fun story that almost lives up to the premise.
Robinson is now ready to dive more deeply into the central conflict of the series.
In theory, it should be a lot of fun.
Deibert actually manages to articulate every character.
As the issue opens, it DOES feel like anything could happen.
There’s a serene silence about the art.
Avallone playfully pushes Elvira through a couple of scenes.
Walker’s wit takes advantage of a very resourceful sense of humor.
Young takes a while to get the story moving.
Zornow makes the visuals look cute without being overly cuddly.
The right mixture of action and comedy for a decent Harley story.
Russell lets the situations in the situational comedy.
Waid solidly establishes what’s going on.
Adams tackles a real challenge with an issue that is largely populated by kids.
Franchini keeps the action moving.
Rosenberg’s series has harnessed some of the stronger madness of the psychotic clown.
Skroce jumps right into the action.
Howard really strings things through a weird funhouse.
Todd and Maggie hatch a new plan, but it’s out of the frying pan and into the fire.
Todd meets a familiar face in ancient Japan and hilarity ensues.