Scott begins the story in conflict and action.
All in Action
Scott begins the story in conflict and action.
Brusha finds perfect pacing for a simple supernatural story.
More than interesting enough.
Turner puts the reader through the wringer.
Howard is given only the smallest stretch of pages in which to envision Diana in her own kind of heaven.
A delicately-woven script.
The balance here feels almost perfect.
The heart of the story rests in the final issue.
There’s a deep, dark poetry to Simone’s work.
It’s a fun little exercise.
It’s fun action with just enough depth to keep the reader interested.
Gentle complexities play out in an alternate timeline U.S.
Harley continues to find an appealing place on the page.
The gravity of the drama moves everything to a final confrontation.
A fun, little excursion with a fantasy hero into a dark mutation of traditional folklore.
Grønbekk delivers a truly beautiful fantas.
Conrad and Cloonan bring it all together in a way that makes it feel remarkably fluid.
A surprisingly deep and thematically complex origin
MacKay takes the opportunity to really explore Moon Knight and it works beautifully.