Though the issue has its moments, Gage and Edwards don't manage to add much to a long-running conflict between the two characters.
All in Action
Though the issue has its moments, Gage and Edwards don't manage to add much to a long-running conflict between the two characters.
Fun enough to make one wish for a long-running Jinny Hex series.
A remarkably tight single-issue story.
An enjoyable adventure that's over far too quickly.
Haberlin isn't framing all of the plot elements quite as deftly as he has in previous issues.
An adventure that moves briskly across the page.
Pacheco keeps Jessica Drew firmly grounded in a dash of emotional realism.
The conflict between Emma and Diana never quite lives up to the potential for a truly satisfying climax of Tamaki's run.
Jed MacKay manages a few remarkable tasks in a multi-layered chapter.
This particular, little climax feels a bit flat despite some promising elements.
MacKay takes a Marvel criminal and hands him a scenario that really has no business being anywhere near as entertaining as it is.
Tamaki carves a lot of poetry into the plot.
Writer Bryan Hill develops a script that’s as smart as it is witty.
The coming-of-age/frontline combat story continues to find a potent pulse in the series’ third issue.
Inkblot rests wide-eyed at the center of it all in another enjoyable journey into fantasy.
The specifics may feel weak, but the drama has enough gravity to hold together the story.
Writer Cavan Scott tells a concise tale of contemporary fantasy that is brought to the page with some intensity by artist Jose Lucas.
It may be little more than another loser-saves-the-world storyline, but Remender and Larosa keep it fun.
Tamaki frames the climactic battle in a throne room on the other side of the planet.
The best part of the issue has to be Pacheco’s wit, which keeps the action slick and enjoyable from cover to cover.