Did anyone have “Eastman and Laird team up on a comic once more” on their 2020 bingo sheet?
All in Action
Did anyone have “Eastman and Laird team up on a comic once more” on their 2020 bingo sheet?
Pérez slices the action across the page in long, narrow panels.
Artist Keng follows Liefen’s modulations with visuals that capture a variety of different moods.
The pacing of the story gets a bit lost in the poetry early on.
Ram V places various elements into the frame with an architect’s eye for detail.
Real love for the source material bleeds through the script.
A fun action encounter on the beach.
The drama hits the page with an odious moistness.
A cluttered mess of a debut.
A weird action story that lurches around the page appealingly.
The second issue draws further appeal from Kubert's adorably oblivious hero.
The overall sense of immensity and impending doom seems missing in an otherwise enjoyable finale.
The unique personality of Natasha Romanoff defines the heart of the story.
Obropta and Simonson's "Museum Madness" is a sharp, little prequel to Wonder Woman 1984.
Tamaki strikes a powerful balance between youth and malice with a compelling, new villain.
Edginess comes across as childishness. It almost works.
Pacheco finesses a lot of things in this issue that really have no business working as well as they do.
Not since the days of Peter David writing the Hulk has the leader been presented as such a serious threat.
The Flash Family must pull itself together like never before and bring an end to Thawne’s maniacal run once and for all.
Aero has her own action in the issue, but for the most part, she might as well be tech support for Tony Stark.