Portella’s art is exquisite.
Monkey Meat: The Summer Batch #2 // Review
It just feels real on more levels than it has any right to be.
G.I. Joe A Real American Hero: Beach Head #1 // Review
Hester has a strikingly well-modulated story to tell.
Batgirl #6 // Review
The visuals DO step-up once the action sets-in,
I Was a Fashion School Serial Killer #1 // Review
Wagner’s anti-hero is a lot of fun to hang out with.
Birds of Prey #20 // Review
Thompson finds a strikingly natural way to split-up the team.
Black Ritual: The Book of Nyx #1 // Review
There’s a delicious graininess to Jones’ art.
Juvenile #5 // Review
Orellana draws on quite a few different elements to wrap-up the series.
Poison Ivy #32 // Review
It's really fun to see what Wilson is doing.
Psylocke #6 // Review
Wong’s crisp scripting keeps the action moving.
Absolute Wonder Woman #6 // Review
It’s sharply clever stuff.
Doll Parts: A Lovesick Tale #4 // Review
Vecchio plays with the mutability of reality.
The Department of Truth #29 // Review
Tynion’s script remains as appealing as it is.
Standstill #8 // Review
Loughridge finds a suitable end point for a series.
Terminator #6 // Review
Shalvey could really expand this one issue into a whole series.
The Seasons #3 // Review
Azaceta can say a tremendsous amount with only a few line.
Universal Monsters: The Mummy #1 // Review
Hicks is a solidly respectable storyteller
Vampirella #1 // Review
Priest finds a relatively untrodden path with vampire fiction: parenthood.
We’re Taking Everyone Down With Us #1 // Review
Matthew Rosenberg opens a brilliantly inventive new series.
You’ll Do Bad Things #1 // Review
Boss weaves a fun initial premise.