Casey mixes a few things into the narrative that make it feel considerably more sophisticated than Rambo.
Casey mixes a few things into the narrative that make it feel considerably more sophisticated than Rambo.
Fleecs fills the issue with a very heartfelt kind of precision.
It’s not that difficult to push weight-loss narratives in the right direction and watch them go.
Craig is working with a fusion of various different elements.
Mele does a solid job of delivering the action to the page.
Johns’ script works on a few different levels.
The action of the plot is deeply intertwined with the deeper dramas at work.
Cafiero is developing a lot of ideas.
Shalvey constructs the script to this particular issue with a clever rhythm.
There’s a lot of backstory that’s delivered.
Thompson has taken the basic legend of Wonder Woman and moved it into a spectacularly mystic darkness.
Walsh cleverly constructs the concerns of the heart.
Seeley balances the story pretty tightly between action and investigation.
Cox has been slowly making a statement about humanity.
Vargas hits the page with a dreamy sketchiness
Loughridge is delivering a cleverly complicated exploration.
It all fuses together on the page.
Johnson completes an outline of the basic premise of the series with some degree of grace and precision.
Gillen is jumping around in history quite a bit over the course of the issue.
Pirzada’s script juggles quite a few characters.